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  • RESEARCH
    • REAL OTS ANALYSIS
    • PRODUCTION COMPANY RESEARCH
    • ANALYSIS OF TITLES WITHIN THE OTS
    • DOS AND DON'TS OF FILMING
    • SOUND ANALYSIS WITHIN TRAILER - MUSIC AND EFFECTIVE DIALOGUE
    • THEORISTS ASSOCIATED WITH YOUR HORROR
    • SUB GENRE RESEARCH
  • AUDIENCE RESEARCH
    • NETFLIX - WHO RENTING WHAT HORROR
    • BOX OFFICE GURU-WHAT TYPE OF HORROR MAKES MONEY
    • IMDB - WHAT THE EXPERTS SAY
    • GOOGLE TRENDS- THE SOCIAL CONTEXT FOR YOUR HORROR
    • AMAZON - WHO'S BUYING WHAT HORROR
    • BBFC - WORK ON TARGET AUDIENCE
    • METACRITIC- WHOSE RATING WHAT HORROR
    • COMPLETED QUESTIONNAIRE
    • AUDIENCE INTERVIEWS (MOVING IMAGE)
  • PLANNING
    • First Draft and feedback
    • LOCATION CHOICES AND PICTURES
    • PROPS
    • RISK ASSESSMENT
    • STORYBOARD
    • EDIT DECISION LIST
    • SHOOTING SCHEDULE
    • INITIAL PLANNING IDEAS
    • SCRIPT
    • TIME OF DAY TO FILM NOTES
    • NOTES ON LIGHTING
    • CASTING DECISIONS AND WHY
    • FONT CHOICES AND JUSTIFICATIONS
  • Evaluation
    • Question 1
    • Question 2
    • Question 3
    • Question 4 & 5
    • Question 6
    • Question 7

Analysis of the titles within the OTS

The order of the titles in the opening title sequence of a film is determined by order of importance. For minimal titles and maximum titles there still needs to be a clear order of relativity.After the title of the film, the lead cast is named separately and any minor characters may be placed together. From there the importance of roles is reversed and the credits work backwards to the writers and director.
ORDER OF OPENING CREDITS
- Distributor/DISTRIBUTION COMPANY 
- Producer/PRODUCTION COMPANY 
- a NAME LASTNAME film 
- TITLE
- Lead Cast
- Supporting Cast
- Casting Director
- Music Composer
- Costume Designer
- Associate Producers
- Editor
- Production Designer
- Director of Photography
- Executive Producer
- Producer
- Writers
- Director 
 The order of these is vital in order to get the point across to the audience and film critics.
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  • Home
  • RESEARCH
    • REAL OTS ANALYSIS
    • PRODUCTION COMPANY RESEARCH
    • ANALYSIS OF TITLES WITHIN THE OTS
    • DOS AND DON'TS OF FILMING
    • SOUND ANALYSIS WITHIN TRAILER - MUSIC AND EFFECTIVE DIALOGUE
    • THEORISTS ASSOCIATED WITH YOUR HORROR
    • SUB GENRE RESEARCH
  • AUDIENCE RESEARCH
    • NETFLIX - WHO RENTING WHAT HORROR
    • BOX OFFICE GURU-WHAT TYPE OF HORROR MAKES MONEY
    • IMDB - WHAT THE EXPERTS SAY
    • GOOGLE TRENDS- THE SOCIAL CONTEXT FOR YOUR HORROR
    • AMAZON - WHO'S BUYING WHAT HORROR
    • BBFC - WORK ON TARGET AUDIENCE
    • METACRITIC- WHOSE RATING WHAT HORROR
    • COMPLETED QUESTIONNAIRE
    • AUDIENCE INTERVIEWS (MOVING IMAGE)
  • PLANNING
    • First Draft and feedback
    • LOCATION CHOICES AND PICTURES
    • PROPS
    • RISK ASSESSMENT
    • STORYBOARD
    • EDIT DECISION LIST
    • SHOOTING SCHEDULE
    • INITIAL PLANNING IDEAS
    • SCRIPT
    • TIME OF DAY TO FILM NOTES
    • NOTES ON LIGHTING
    • CASTING DECISIONS AND WHY
    • FONT CHOICES AND JUSTIFICATIONS
  • Evaluation
    • Question 1
    • Question 2
    • Question 3
    • Question 4 & 5
    • Question 6
    • Question 7